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Emerging from the desert, Canyon House is equal parts landform and a mechanism for viewing.

Stoic on the exterior - but transcending an object in the landscape - Canyon House blurs the boundary between inside and out, imprinting the exterior environment onto the interior of the home: revealing life as a series of moments, vistas and reflections.


Sited to frame the Catalina Mountains to the north and the Tucson Mountains to the southwest, the over-riding intent was for the clients to live "in the view" - sensory immersion being the driving concept and effect of the architecture. 


The manifestation of the immersive experience is the canyon-like living space at the center of the home. Flanked on the east and west by the service and bedroom wings, and looking north and south, "the canyon" is also defined by a horizontal datum. Below this seven foot datum, life is organized; above, the interior of the home reaches up to ephemera in the form of a "clerestory" surface.

At the window walls, the panels above the datum afford mountain-top views, while the side wall clerestory captures oblique reflections that shift as the occupants move throughout the house. The effect is for distant panoramas to enter and wrap the interior of the home.


Aural sensations within the canyon are likewise affected by an acoustic "cloud" that floats above, creating a serene environment for conversation and contemplation. The cloud collects and organizes artificial lights that become a constellation of stars, reflected in the clerestory, as day turns to night.


Thresholds from the canyon to the wings of the home shift attention away from the sweeping vistas, towards intimate spaces and individual moments.


Canyon House engages perceptions through constructed ambiguities and reflected likenesses, attempting to reveal a reality beyond our senses.



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